1. I think
the novel ends when the man dies. This is because the whole book has been from
the man’s point of view, it is his narrative throughout. In this way The Road
can be viewed as his journey, and the boy acts as his conscience when he strays
too far from his humanity and threatens to do something evil. When he dies, the
narrative changes and from then it is from the boy’s point of view. The man
starts to dream as he is dying; he mentions “old dreams encroached” as it is
the one from the very beginning of the book. It links the whole books together,
bringing it back full circle, we get the sense at the beginning that they are
doomed to die, and in the end that becomes true. As well as this their physical
journey is done, the man is never going to move from that spot.
He says about the “fading light” the light has always
symbolised hope, and it is the thing that keeps him going. When he says that it
is fading it also symbolises the loss of hope, and when it dies so does he, as
he has no will to continue. The man also says that he has “reached the point of
no return.” He has no optimism, he knows this is where he is going to die and
he had accepted it.
For me, the ending of The Road is best described through XII
“undermine what has gone before”. This is because throughout the entirety of
the novel the man says that he will kill his son when the time comes. However,
when he is lying there dying and he had the opportunity to do what he has
promised to do, he doesn’t. The man says that he can’t even when the boy is
begging him to do it. Even though the man tries to be emotionally distant from
the boy, in the end his emotions come to the surface, proving that he does have
them after all.
2. Change of
narrative view, light has gone out as has his hope. It links back to the
beginning and the dream he had - cave.
I like this post and will design an entire lesson about it.
ReplyDeleteIs the ending hopeful? Is the fact the man cannot kill his own son a source of optimism (if that makes sense)?